The Andy Warhol Museum: The Legacy of an Icon


The Andy Warhol Museum: The Legacy of an Icon

Author: Leslie Rose

Milton Fine Museum Profession Fellowship at The Andy Warhol Museum - Summer 2017

Recently, I have heard one of the truest statements that I will probably ever come to understand: “Once you’ve got The Warhol bug, you’ve got it for life.” This “bug” is much more than just an admiration for the iconic artist. It’s appreciation for all that he and his legacy, The Andy Warhol Museum, represents.

Until my fellowship with The Warhol, I didn’t fully comprehend the importance of such an institution. I respected and enjoyed Warhol’s work as much as any other artist, but this museum is far more than a single artist museum. As the University of Pittsburgh’s Fine Foundation Fellow for the summer, I had the opportunity to work with the Warhol’s chief curator, Jose Diaz, and Milton Fine curator, Jessica Beck. My experiences in this internship opened my eyes to the necessity of The Andy Warhol Museum and institutions like it. In almost every possible way, from its programs and publications to its exhibitions and staff, The Warhol provides an inclusive environment and enriching content that generates a dialogue amongst the people of the Pittsburgh community and thousands of visitors from around the world. The museum brings together people from all walks of life, something that I believe people need in today’s divisive social and political atmosphere. It is not just me taking notice.

One way The Andy Warhol Museum promotes inclusivity is through their staff. The Warhol received recognition by Ithaka S+R as one of eight institutions in the country striving to make the museum world more open to marginalized groups. I participated in Ithaka S+R’s research interviews and when learning of the other museum in that list, Brooklyn Museum, the Contemporary Arts Museum Houston, Detroit Institute of Art, the Los Angeles County Museum of Art, the Museum of Contemporary Art, Chicago, the Spelman College Museum (Atlanta), and the Studio Museum in Harlem, I was elated that the Warhol ranked among them. It thrilled me that I was a part of an institution that made diversity a priority. As faces and voices of the institution, a diverse staff means numerous perspectives are being explored and welcomed.

Through my fellowship, I was able to assist the curatorial team on their upcoming exhibitions. With each project, I learned more of what it truly means to carry on Warhol’s legacy. This legacy means more than finding artists who similarly practiced art, but it is Warhol’s mindset—critiquing and questioning today’s culture head on. The 2017 Spring show, Firelei Baez: Bloodlines featured the works of contemporary Dominican artist Firelei Baez, who’s work tackled past and present understandings of race, power and beauty. In the fall of this year, The Warhol will open Farhad Moshiri: Go West, which will showcase the works of Iranian artist Farhad Moshiri. Throughout my internship, my primary focus was Go West and I helped to create an exhibition catalogue and didactic wall labels. Moshiri’s work explores Iranian traditions, the appeal and influence of Western culture, and how people have come to define their own cultural identities. In the wake of recent, caustic, political rhetoric, aimed to make people’s differences seem like dangers, the museum finds that Moshiri’s work highlights the commonalities between the East and West. Addressing complex current issues of identity, race, power, The Warhol aims to bridge gaps, acknowledge, and celebrate people’s differences through exhibitions and events such as these.

My time at The Andy Warhol Museum has taught me more than I can imagine— Andy Warhol’s life and work, working with contemporary artists, planning an exhibition, and how a museum of this size operates on a day to day basis. It was the museum’s mission, continuing Warhol’s legacy and making it accessible to all people, that has made the greatest impact on me and is something that I will carry with me.

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