Finding Detail in Dimension

Photography: Bryan Conley, Carnegie Museum of Art

Finding Detail in Dimension

Author: Erin Patrick, Inside the Carnegie International 57th edition, 2018 Student - Fall 2018

Artist Rachel Rose challenged students to explore the theme of “Depth and Durability” at a recent Tam O’Shanter Drawing Session hosted by the Carnegie Museum of Art, asking everyone to participate in an interval drawing exercise. We began with Rose sharing her struggles as a young artist attending Yale University, and the influence of professor Robert Reed, who inspired the session’s theme. Rose put forward the idea that art can be done in any time frame and with layers of depth. Her idea was a session based off an exercise routine with varying time constraints and focuses.

After Rose’s introduction, the group moved to the Carnegie Museum of Natural History’s Hall of Minerals where we were each given the opportunity to select a gem and draw it repeatedly for different intervals of time. Rose started with short intervals, increasing to ten minutes, and then back down to thirty seconds.  The process required a great deal of focus yet let us expand and express our relationship with the objects. Although slightly anxiety provoking, the task proved to be a great exercise in mental endurance and flexibility. How can you complete a drawing of a three-dimensional object in thirty seconds?   How does your interpretation of an object change between thirty seconds versus ten minutes?  Rachel’s process made us think through the dimensions of the object, which was reflected in the evolution of our drawings. Students’ works varied in texture, shape, size, and value throughout the process. 

After the session, Rose allowed time for debriefing. We were encouraged to share our art and discuss how the time intervals affected our expression. The Tam O’Shanter session was a challenge in the best way possible:  we were allowed to let our creative process free, just as Rose has in her upcoming work in the Carnegie International, 57th Edition, 2018.

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