Visual Media Workshop Fall Newsletter

 

Visual Media Workshop Fall Newsletter

Whether you are interested in one of our longer term collaborative research projects, primarily use the lab for short-term support for your own work, or are just curious about what’s happening, you will find that we are an interactive team interested in a variety of cultural questions and embedded in the dynamic interplay between the humanities and information science.

Constellations Website [www.constellations.pitt.edu]: This year, all the grads in the lab are encouraged to post their thoughts on their current work every two weeks on the Constellations Website.  Feel free to browse through our work, and be sure to check out Katie’s “Knitting Subjectivity” post, an insightful comparison between knitting and the Bertillon system. 

Decomposing Bodies [http://bodies.haa.pitt.edu]: The VMW team and Josh Ellenbogen continue to collaborate on Decomposing Bodies, cataloging and data scraping thousands of identification cards collected last fall at the Ohio History Connection in Columbus, Ohio. These cards are artifacts of the “Bertillonnage” criminal identification system, developed by Alphonse Bertillon in Paris, and a popular method of criminal systemization and identification in the United States in the late nineteenth and early twentieth century.  The Decomposing Bodies team is also actively brainstorming ideas for a future exhibition.  Alison, Josh, Aisling, and Jen plan to make another research trip to Columbus in January of next year.

Itinera [http://itinera.pitt.edu]: The Itinera project, a collaboration between the VMW team and Drew Armstrong, maps culturally-motivated travel.  Beginning with eighteenth- and nineteenth-century European travel, Itinera continues to expand into new geographic and temporal networks. Presently, the Itinera team is developing a set of standards that would allow a wider set of researchers to contribute data to the project.  As Itinera opens to a broader spectrum of travel, and our network becomes denser and more complex, more inter-related opportunities emerge.  For example, Jen’s work on Alexander von Humboldt expands the body of European travelers into networks within nineteenth-century South America and Russia.  

Bunker-Haskins: In order to provide scholars digital access to the Bunker-Haskins slide collections, we have been working on configuring an instance of ResourceSpace, an open source digital asset management platform.  A key objective of this project involves enabling user-contributed metadata by subject specialists to enhance resource discovery, but users will also be able to download digital images, create collections, and more.  

Network Ontologies [http://www.networkontologies.org]: Scholars from all over the country will convene at the University of Pittsburgh on November 21 and 22 for a workshop entitled, "Network Ontologies in the Early Modern Period," co-sponsored by a number of local and regional groups. The aim of this workshop will be to share experiences implementing data ontologies in digital humanities projects, such as our own Itinera, and to develop a metadata structure that would then support the interoperability of these networks over the long term.

Undergrad Activities:  The work-study students in the lab have been very productive on a number of different projects.  Linda and Leah are digitizing the Bunker-Haskins slides and researching a crowd-sourcing space that would allow experts in the field to contribute descriptions.  Linda has also been scanning images to support teaching, including the ongoing project to catalog all of the images from Terry Smith’s textbook, Contemporary Art: World Currents. Dan does a little bit of everything and anything.  He is currently preparing videos on printmaking for the art gallery, working on code for the digital humanities website, and transcribing criminal identification cards for Decomposing Bodies.

Grad Activities: Aisling, Jen, Katie, and Christie collaborate on several projects in the lab.  Aisling begins her second year working in the lab with a variety of responsibilities, including the supervision of the undergraduate students digitizing and organizing facets of the HAA slide collection and pursuing a new project related to the "Images of Medieval Art and Architecture" website [http://www.medart.pitt.edu].  Jen has been working on editing and standardizing Itinera data and expanding Itinera’s geographic network to include Alexander von Humboldt’s voyage to South America.  She is also researching Bertillon furniture with the hope of reconstructing the measuring apparatus and creating an interactive component for the potential exhibition. Everyone contributes to research on Itinera as well as a bi-weekly sprint cataloging the criminal identification cards collected during last fall’s trip to the Ohio History Connection.  In addition to Decomposing Bodies, Katie is contributing to the Bunker-Haskins Resource Space.  Christi’s projects include creating a digital space for the History of Art and Architecture Department to collaborate on pedagogy, providing social media maintenance for both the VMW and the Department of HAA, and assisting Kirk Savage with a research project.

HAA Twitter feed: Follow the Department of the History of Art and Architecture on Twitter! Find us at https://twitter.com/haapitt

The Digital Research Ecosystem at Pitt: The VMW exists as part of a larger ecosystem, extending beyond the HAA department, and even beyond the campus-wide DHRX [www.dhrx.pitt.edu], to the national conversation about the changing profile of the humanities in the age of digital hyperproduction. The VMW has evolved into a unique hub of cross-disciplinary energy, where students, faculty, and staff of all levels can engage not only with digital tools, but equally, with each other. 

 

Categories: 
  • Decomposing Bodies
  • Itinera
  • Undergraduate Work
  • Graduate Work
  • Faculty Work
  • VMW