Juliet Sperling is a Ph.D. candidate in the History of Art at the University of Pennsylvania. In 2014-2015, she is a Wyeth Foundation Predoctoral Fellow in American Art at the Smithsonian American Art Museum, where she is at work on her dissertation, 'Animating Flatness: Seeing Moving Images in American Painting and Mass Visual Culture, 1820-1895.'
“Post-studio Sublime: Southern California Art and Technology after Earthrise”
Ginger Elliott Smith
“The representation of intersex bodies in Klonaris/Thomadaki’s multimedia practice”
Laura Giudici
“Drawings from the other side”
Alicia Puglionesi
“Stripped Bare: Dissecting Wax, Print, and Paper Bodies in Antebellum America”
Juliet Sperling
““Divine Truths Photographed Upon the Soul”: The Holy Land through the Stereoscope (1900)”
Jeff Richmond-Moll
“Six Degrees of Francis Bacon: History, Networks, Knowledge”
Dr. Christopher Warren, Dr.
Raja Sooriamurthi,
Ivy Chung,
Sama Kanbour,
Angela Qiu,
Chanamon Ratanalert
“The World, as it is Written on the Wall”
Patricia K. Guiley
“Equivocating Diagrams: the many epistemic virtues in C H Waddington’s images and arguments”
Matthew Allen
Today is my last day working on the Itinera database until my presentation tomorrow. While gearing up for the end of the semester, let's take a moment to look back at the unfortunate life of Thomas Bruce.
